Author: Julia Glass

Cites

• James Salter (1)
  • IN: The Widower's Tale (2010) Fiction, American
    EPIGRAPH: In the way that a gambler who has lost can easily imagine himself again in possession of his money, thinking how false, how undeserved was the process that took it from him, so he sometimes found himself unwilling to believe what had happened, or ertain that his marraige would somehow be foundagain. So much of it was still in existence.
    FROM: Light Years, (1975), Novel, US
• James Lapine (1)
  • IN: And the Dark Sacred Night (2014) Fiction, American
    EPIGRAPH: Every knot was once straight rope.
    FROM: Into the Woods, (1986), Musical, US
• Peter Brook (1)
  • IN: A House Among the Trees (2017) Fiction, American
    EPIGRAPH: In the theatre, the tendency for centuries has been to put the actor to a remote distance, on a platform, framed, decorated, lit, painted, in high shoes -- so as to help to persuade the ignorant that he is holy, that his art is sacred. Did this express reverence? Or was there behind it a fear that something would be exposed if the light were too bright, the meeting too near?
    FROM: The Empty Space, (1968), Book, UK
• Constantin Stanislavski (1)
  • IN: A House Among the Trees (2017) Fiction, American
    EPIGRAPH: Love art in yourself and not yourself in art.
    FROM: Building a Character, (1948), Book, Russia
• Jim Harrison (1)
  • IN: Three Junes (2002) Fiction, American
    EPIGRAPH: Assuming that our energies are sufficient, love is interminable.
    FROM: The Road Home, (1998), Novel, US